Adobe Lightroom Workflow – Part 2 – Flag, Rate, and Filter
May 16, 2009
In the previous article of this series we took an in-depth look at importing your photos into Lightroom. Now that your photos are imported, let’s take a few moments to go through them and tag them with a flag, rating or color so we can easily filter through them during the editing process.
It’s sometimes easy to underestimate the importance of a good tag and filtering process. If done right this can be a huge time saver. It’s also handy for archiving; when you return to these photos after weeks, months or years have passed you are immediately able to see the original tags you applied.
Digital Photography Tips – White Balance with a Gray Card
May 12, 2009
One thing that often gets overlooked by amateur photographers is getting accurate color in your photos. The first step to getting good color is making sure you have paid attention to your white balance. White balance, sometimes known as color balance, is basically making sure that white appears as white in a given lighting scenario.
Many people deal with white balance by simply setting their digital camera to Auto White Balance (AWB). While cameras do fairly well at achieving good white balance automatically, there are a few steps you can take to insure more accurate depiction of colors. Read more
Edit Multiple Pictures with Photoshop
May 8, 2009
One of the best things about digital photography is how easily you can take dozens of pictures and quickly share them with your friends and family. No longer do we have to keep up with envelopes of negatives or worry about getting your film developed. However, with each improved model of digital camera, the number of pixels used to create our photos increases, often by the millions.
This isn’t a problem when it comes to printing your photos. In fact, the more pixels you have the better your printed photos will look. The problem arises when we just want to share these pictures on the web or email a few of them to a friend or relative. You see, the more pixels an image uses, the larger its file size will be. Large file sizes mean longer downloads for your friends and family, and can also be the reason why your emails won’t go through (many email servers won’t accept messages larger than 10mb). Read more
Photoshop Tips – Advanced Black and White Conversion Using Actions
April 22, 2009
There are several ways to convert your photos to black and white inside Photoshop; quick options like the Desaturate command or simply adding in a Black & White Adjustment layer. But there are other more advanced options available within Photoshop that can give you killer black and white results.
The thing about black and white conversion is that one process doesn’t always work the best for every photo. There are several different methods because sometimes certain methods work better than others for the picture in question.
What we’ll cover here is a quick way to to create an Action that will automatically add the most popular black and white conversion techniques to your photo. We’ll combine this action with Layer Comps to give you an easy way to run through each of the conversion options to get a glimpse of what works best with your photo. I tend to lovingly refer to this technique as, Not Yo Mama’s Black and White Conversion.
Photoshop Tips – Quick and Easy Photo Vignette
March 20, 2009
Adding a vignette (darkening or lightening around the edges of the photo) is easy these days with the introduction of Adobe Lightroom and Camera Raw. However, the tools in these utilities are limited in flexibility and customization.
The following is a quick and easy way to create either a dark or light vignette for your photo and give you the ability to have virtually limitless control over the effect. Read more
Photoshop Tutorial – Change Eye Color
December 11, 2008
When working with portrait photography, you may want to change or enhance the color of your subject’s eyes. This can be easily done inside Photoshop CS3 and CS4. In this example, I will be using CS4, but this can be done in just about any version of Photoshop.
This technique can also be used for elements other than eyes. You can effectively change or enhance the colors of any object or photo inside Photoshop. For our purposes here, we’ll stick with stick with the eyes. Just keep in mind that you can apply these steps to any object to change its color.
Photoshop Tips – Intro to Layer Masks
October 24, 2008
The ability to use Layer Masks is one of the more powerful features available in Photoshop. Yet, many beginning Photoshop users find it difficult to understand the purpose of masks and how to use them.
Once you understand what masks are and how they work, you’ll have a much easier time blending together layers, filters and effects, and you’ll be able to work with your images non-destructively. Read more
Photoshop Tips – Create a Custom Halftone Design
September 26, 2008
The halftone pattern is one of those design elements that never seems to get old. You can make your designs even more timeless by getting creative with your halftone patterns. Let’s take a look at a quick and easy way to add a custom halftone effect to your images or designs.
Digital Photography Workflow – High Contrast Effect from Start to Finish
August 25, 2008
Your digital photography workflow is important because it’s the process that you employ to create an image. Each step in the workflow is important as it makes each sub-sequent step easier and makes the overall workflow more efficient, allowing you to devote more time and energy to creating great images.
One key to creating great images is starting with a great photo and then enhancing the photo further in Photoshop. In this tutorial, I’ll explain how I setup the lighting and composition for the photo and then used Lightroom and Photoshop to end up with the final image.
Professional Portrait Retouching – Comparing Skin Softening Techniques
July 23, 2008
There are many ways to soften skin inside Photoshop; some methods are more effective than others, but each method typically gives you different results, however slight they may be. It can be confusing and frustrating to try out each of these techniques to find out which works best with your particular photo or photographic style.
This tutorial will walk you through an easy way to setup and compare three of the most popular skin softening techniques inside one Photoshop document while maintaining realism and skin texture. This not only gives you insight into what each softening technique has to offer, but also gives you more flexibility with your images.
